Maybe American cinema is okay after all, maybe it is evolving. Or maybe Pineapple Express is just an exception. It certainly seems like Seth Rogen’s finding the right mix for popularity and quality, but Express outdoes anything I thought it’d be.
After a shaky prologue sequence–which overuses Bill Hader for some kind of a Superbad reference […]
The Stop Button
An appreciation of amusements.
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The Podcast
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