All through Pleasantville, I kept wondering how–for a film with so many problems–it could have not only some of the most emotionally affecting (not effective) scenes I can remember seeing, but also an overwhelming ending, which makes the whole film seem like it was better than it was… Then I saw Steven Soderbergh’s name at […]
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© 2005–2008 Andrew Wickliffe — Cutline by Chris Pearson.
