As Our Man in Havana opened, I couldn’t help thinking of Touch of Evil. Reed uses a cock-eyed angle a few times throughout the film and it looks like Evil. The music doesn’t hurt either. Except, I hadn’t realized it was Reed–the opening titles start a few minutes in to the film–and then all I […]
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© 2005–2008 Andrew Wickliffe — Cutline by Chris Pearson.
