Superbad opens with the 1970s Columbia Pictures logo, features a 1970s soundtrack and, for much of the film, features its main character, played by Jonah Hill, wearing something seventies-esque. Those elements go far in creating a flavor for Superbad, as does the Southern California landscape. I’m not sure how important the flavor is to Superbad’s […]
Entries from August 2007
Superbad (2007, Greg Mottola)
August 20th, 2007 No Comments
Hôtel du Nord (1938, Marcel Carné)
August 17th, 2007 No Comments
The fabulous, “has to be a set” of a small business district adjacent a canal is not the best thing about Hotel du Nord, but it’s uncomfortably close. The film’s solidly directed, with some nice composition and some nice camera movement, but it’s nowhere near enough to pluck the film from the tub of melodramatic […]
Resident Evil: Extinction (2007, Russell Mulcahy)
August 15th, 2007 No Comments
I wonder how Paul W.S. Anderson writes his screenplays. Does he actually write in all the references–think The Birds here, or a tanker like in The Road Warrior or even the Statue of Liberty shot out of Planet of the Apes–or do they come up later? Resident Evil: Extinction is an amalgam of, I imagine, […]
Crime by Night (1944, William Clemens)
August 15th, 2007 No Comments
Jerome Cowan’s detective in Crime by Night slides through the film soaked in bourbon. While the film’s mystery isn’t a bad one, perfect for a seventy minute running time, the suggestions of off-screen actions are a lot more fun to think about. The detective, with his love interest secretary along (played well by Jane Wyman, […]
Play Time (1967, Jacques Tati)
August 14th, 2007 No Comments
Play Time opens as an attack on modernity worthy of George Amberson Minafer, dealing with the personality-free office place populated by cubicles, to the lines of similarly dressed men on their ways home after work or the same type of men all getting into the same kind of car after their work day. There’s some […]
The Illusionist (2006, Neil Burger)
August 13th, 2007 No Comments
I don’t know where to start talking about The Illusionist. I mean, I only have two choices, so it’s really just a coin toss. I’ll start with Neil Burger. Burger adapted the script from a short story, which means he was probably confined to some degree. The Illusionist is not a “wow“ of a film […]
Kuroneko (1968, Shindo Kanetô)
August 9th, 2007 No Comments
I thought I was going to start this post with a witty remark regarding the film’s use of repetitiveness to excellent overall effect, but then the movie ended and, by that time, much of the excellence had drained. Kuroneko is a gorgeous film–Shindo uses theatrical lighting effects for ghostly emphasis, which really works–and for a […]
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