The Seven-Ups is a fascist daydream beyond almost any cinematic compare, certainly American cinema (except maybe a Charles Bronson movie from the 1980s or something). And it’s not a cheap, 1970s exploitation picture either. Yes, to some degree it’s cheap (Roy Scheider and Tony Lo Bianco are the only two recognizable principals), but producer and […]
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© 2005–2008 Andrew Wickliffe — Cutline by Chris Pearson.
